3.22.2018

Mr Smith's Uncool Playlist



I'm Just A Killer For Your Love - Blur

The Greedy Ugly People - Hefner
https://www.youtube.com/watch?v=jhsX6pmJ0GA

Diners Only - The Avalanches
https://www.youtube.com/watch?v=STG0UjC6Dsw

Under Pressure - Queen and David Bowie
https://www.youtube.com/watch?v=YoDh_gHDvkk

Don't Talk, Put Your Head On My Shoulder - The Beach Boys
https://www.youtube.com/watch?v=gikGLzkKElw


All Your Time - Black Twig
https://www.youtube.com/watch?v=_i2mLZOXl4g

Purple Prose - Mystery Jets
https://www.youtube.com/watch?v=f2NJV9S2rLM

Western Eyes - Portishead
https://www.youtube.com/watch?v=uJ5KwjNvjYU

U-Boat - Kasabian
https://www.youtube.com/watch?v=zWZhEiuA-fk

Honey Pie - The Beatles
https://www.youtube.com/watch?v=pK0V4DmE5NA

Rhythm and Blues Alibi - Gomez
https://www.youtube.com/watch?v=gZIhD-dbXQM

Pruit Igor & Prophecies
https://www.youtube.com/watch?v=AnoXiAX53U8

Today's Lesson Creating an 'uncool playlist'






1. Read Brian Eno's article on the death of uncool
2. Using your ipod, spotify, iTunes or other generic music account set your software to shuffle and select the first TWELVE songs, you cannot cheat, you MUST use whatever the software chooses.
3. Post your 'Death Of Uncool' shuffle mix.
4. Add a genre to each song.
5. Write about the postmodern meaning of your shuffle mix, what does it say about your taste in music, are there any songs you were embarrassed to have on your playlist, any songs which are a guilty pleasure?
6. Find the images you want to use for your bricolage CD cover which will accompany your CD mix
7. Write a blurb for a fictional film which this playlist would be the soundtrack to

The Death Of Uncool



Brian Eno — 25th November 2009

It’s odd to think back on the time—not so long ago—when there were distinct stylistic trends, such as “this season’s colour” or “abstract expressionism” or “psychedelic music.” It seems we don’t think like that any more. There are just too many styles around, and they keep mutating too fast to assume that kind of dominance.

As an example, go into a record shop and look at the dividers used to separate music into different categories. There used to be about a dozen: rock, jazz, ethnic, and so on. Now there are almost as many dividers as there are records, and they keep proliferating. The category I had a hand in starting—ambient music—has split into a host of subcategories called things like “black ambient,” “ambient dub,” “ambient industrial,” “organic ambient” and 20 others last time I looked. A similar bifurcation has been happening in every other living musical genre (except for “classical” which remains, so far, simply “classical”), and it’s going on in painting, sculpture, cinema and dance.

We’re living in a stylistic tropics. There’s a whole generation of people able to access almost anything from almost anywhere, and they don’t have the same localised stylistic sense that my generation grew up with. It’s all alive, all “now,” in an ever-expanding present, be it Hildegard of Bingen or a Bollywood soundtrack. The idea that something is uncool because it’s old or foreign has left the collective consciousness.

I think this is good news. As people become increasingly comfortable with drawing their culture from a rich range of sources—cherry-picking whatever makes sense to them—it becomes more natural to do the same thing with their social, political and other cultural ideas. The sharing of art is a precursor to the sharing of other human experiences, for what is pleasurable in art becomes thinkable in life.

This article first appeared in the December edition of Prospect magazine

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